19 February 2010
Where does it seem like their music belongs? South Africa where they’re all from? Or is it strangely Japanese in some way? Or proudly internationalist despite their talk of being provincial?
Yes, Pitchfork has been on this for over two weeks. (I’m so behind!) But what’s the RIYL: Vanilla Ice? Kool Keith? “Weird Al” Yankovic? Zomby? Aphex Twin?
Laughing at them? Definitely not.
Giggling nervously about what it all means? Perhaps.
Like it? Hate it? Love it? Grossed out by it? Or do you find it poignant? Well, yes, the sidekick (?!?) has progeria. His name is Leon Botha. He is a painter, and one of the oldest living people afflicted with that disease.
Verdict: Completely dystopian yet hopeful, random yet specific, confusing yet compelling. WTF factor x∞!?!
And, as a sidenote, it also seems to encapsulate a mad, sad, quotidian set of South African cultural tropes and, at once, encompasses the thought of J.M. Coetzee and the imagery of Roger Ballen (that’s this guy!) while remaining resolutely pop, resolutely contemporary.
Before I continue, a bit more of that Roger Ballen guy:
If what they say is true and we live in a fallen world, what does it matter what is truth and what is fiction?
Posted by Alec Hanley Bemis
Tags: Bogan, Chav, Die Antwoord, Ethics, J.M. Coetzee, Next Level Beats, NSFW, PC Computers, Pitchfork, Progeria, Rare Diseases, Redneck, Roger Ballen, South Africa, The Problem With Glamour, The Problem With Nostalgia, The Problem With the Avant Garde, Zef