21 September 2012
May I grab a moment of your increasingly internet-fractured attention span and focus you on this interview between T. Cole Rachel and the Smashing Pumpkins’ Billy Corgan on, ahem, the “state of the Alternative Community” — communities being something I care about a great deal.
Here it is thanks to Stereogum. (Thanks Stereogum!)
Here is an excerpt I particularly like, and bold-face on the parts I really really like:
“Once I entered the world of honesty, circa 1992, there was sort of no going back. It’s a nice fantasy to think if someone got me some media training, I would have avoided a lot of these controversies that are really meaningless and continue to be meaningless. Secondarily, I think there’s something to be said for being principled. Like I think of Lou Reed as being principled. I think of Neil Young as being principled. There are those actors in the world for whom the principles they live their life by, in the long run, mean something. And I think that the principles that I live my life by do mean something and will look better in hindsight. Because when I was at South By Southwest … first of all, in alternative rock music, generally speaking, there have been very few bands in the past 10 years that have made OK Computer-level records. I guess you could say Arcade Fire made one, but there’s been a real scarcity in great, A-level work that crosses over into the mainstream. That’s very interesting, because I don’t think it’s a lack of talent. And if anything, you could say that technology should afford the ability to make ideal records even more easily than we used to be able to make when we had to do it all on tape. Secondarily, the main alternative voice for at least seven years now, and you could argue possibly longer, has been Pitchfork. And they have not produced the level of movement commensurate to their power. So what does that say to me? That system doesn’t work. Now it might work for the kids down in Wicker Park or Echo Park. It might work for the guy with the handlebar mustache. But it doesn’t work overall in the way that the Stooges work, the way that the Velvet Underground worked, or the Cure worked, or Depeche Mode, or pick your fucking any band that made it across the divide from being underground to being iconic. Read more »
Posted by Alec Hanley Bemis
Tags: 120 Minutes, Alternative Culture, Arcade Fire, Billy Corgan, Mumford & Sons, Nirvana, Pitchfork, Smashing Pumpkins, Stereogum, Stone Temple Pilots, The Community Function, The National, The Problem With Nostalgia, The Problem With the Avant Garde
12 April 2010
“Again, very unusual choreography.”
“I always want to know how do they skate in those jeans?”
“Scott doesn’t have a long list of medals or credentials as an amateur but he’s really come into his own as a professional and a performer and he’s always valuable to a show.”
And that sample from the color commentary is only the beginning of the awkwardness on display in this video — an internet meme I’ve been sitting on for awhile. I’ve done the research. It’s not an internet parody, a YouTube vid equivalent of Blades of Glory.
Nope, rather this is figure skater Scott Williams‘ championship effort to revolutionize skating. Just to show the shallowness of the information available on the internet, I clicked in three links deep into this meme without so much as seeing the skater’s name written out. It took watching the whole thing (boring!), listening to to the commenters announce his name, and then doing a Google search to figure it out (boring!).
But wait a second, is the dialogue on the internet so shallow after all? Read more »
Posted by Alec Hanley Bemis