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14 October 2009

Too much, too much, too much: A short attention span essay about Sufjan Stevens & Liberace

I. THE SURFACE

Maybe you heard about Sufjan Stevens’ recent US tour. Maybe you read my braggadocious post about the (tiny) role I had in kicking off this latest round of shows.

Last Wednesday I saw the last gig of the run, one of four sold out New York shows. Let’s take advantage of what the internet has to offer and kick off this discussion with one of the new tunes he debuted. I’ll start with my favorite, the relatively straightforward “Age of Adz”:

Now let me admit, I came away from the show feeling both intrigued and baffled. As one of my fellow concertgoers said to me that night, the music borrowed all the signifiers of rock but contained no actual rocking. Add to that a liberal dose of spacious textures from electronic music and jazz. Another friend left early, complaining that the music was a tepid mess.

And, well, I sort of agree with these sentiments. My befuddlement can best be expressed by a series of comparative thought experiments.

- Imagine if James Taylor aspired to sound like Miles Davis
- Imagine if Cat Stevens took a greater interest in Frank Zappa than the prophet Muhammad
- Imagine if there was a male equivalent to Joni Mitchell’s experience of getting lost in a jazz hole
- Imagine if Erik Satie decided to compose his take on jock jams, more or less missing the point of what jock jams are

In case you’re mistaking these comparisons for disses, here’s a last one:

- Imagine if there were more young(ish) musicians making music so strong & brave you felt comfortable namedropping them alongside such heavyweight peers

Let’s go deeper into this with a second song, “There’s Too Much Love,” which reminds me, alternatively, of Prince and…
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Posted by Alec Hanley Bemis  

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