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4 March 2010

David Bowie sang a song called cha-cha-cha-cha-changes.


Just remember, life is always a rehearsal & nobody is perfect. Even David Bowie.

Also, mix engineers are very important.

And sometimes enigmatic is best.

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19 February 2010

Die Antwoord transcend & transgress (NSFW): A (particulary) short attention span essay on one strand of South African culture

Read this interview with Die Antwoord. Or this one. Or, better yet, catch up with them by reading this informative, catch-all post. Or just listen to their music here.

Where does it seem like their music belongs? South Africa where they’re all from? Or is it strangely Japanese in some way? Or proudly internationalist despite their talk of being provincial?

What is their cultural niche? Hipster parody? A one-note effort to garner crossover attention? Or something meant for mooks and simple rednecks?

Yes, Pitchfork has been on this for over two weeks. (I’m so behind!) But what’s the RIYL: Vanilla Ice? Kool Keith? “Weird Al” Yankovic? Zomby? Aphex Twin?

Laughing at them? Definitely not.
Giggling nervously about what it all means? Perhaps.

Like it? Hate it? Love it? Grossed out by it? Or do you find it poignant? Well, yes, the sidekick (?!?) has progeria. His name is Leon Botha. He is a painter, and one of the oldest living people afflicted with that disease.

Verdict: Completely dystopian yet hopeful, random yet specific, confusing yet compelling. WTF factor x∞!?!
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12 February 2010

The world-wide visual culture industry


from Calvin Tomkins Lives of the Artists:

And what are my thoughts exactly? Read more »

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4 February 2010

Seven pictures from Los Angeles & a slur against the city’s good name

To you, my western friends, with your new California babies,

Another recent study, from the University of California, Davis, published in Autism Research, also found high rates of autism in children born around Los Angeles, as well as nine other California locations. Autism, usually diagnosed before a child is 3 years old, is a developmental disorder characterized by impaired social interaction and communication and repetitive behavior.


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28 January 2010

Ultimate effacement

“The only recent photograph of him (taken many years ago) is of him wearing a furious face as he fends off an intruding cameraman.”

Indeed. His name is JD Salinger, and now he’s dead.

In some ways, it feels wrong to reproduce that picture, but let it underscore the mechanical age we live in, an age in which people’s likenesses and personalities are reproduced with the same brutal efficiency as texts and records and automobiles and television shows and microwave ovens. It was the exact thing Salinger’s life seemed a silent protest against. This Rick Moody tribute which appeared on NPR today encapsulated a number of my thoughts. His one time literary home The New Yorker is running a memorial, including subscriber-only access to his stories.

My main thought is about the work which might await us. Yes, there’s been speculation about boxes of unpublished work, recapitulations of Salinger’s statement in 1963, a few years before he went quiet…

“I like to write. I love to write. But I write just for myself and my own pleasure.”

…but there’s been little notion that maybe now (or at least soon) these writings will be published. Let’s remember it’s not publication that Salinger seemed to mind, so much as it was the dangerous, self-exposing, quintessentially modern phenomenon of widespread renown. He committed to staying away from the spotlight, and stuck to it like few others one can recall.

Greta Garbo said: “I never said, ‘I want to be alone.’ I only said, ‘I want to be let alone.’”

Artie Shaw said: “Tell ‘em I’m insane. A nice, young American boy walking away from a million dollars, wouldn’t you call that insane?”

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